Armenian Jerusalem
© Copyright 2007 Arthur Hagopian
“Adamgirk: The Adam Book of Arakel of Siwni.
For the greater part of the past century, the Jerusalem Armenian
Benevolent Union (JABU), popularly known the "Agoump" (club),
continued to act as the nerve center of the social and cultural
life of the kaghakatsi Armenians of the Old City.
It
played
a
significant
role
not
only
in
enhancing
the
education
of
the
kaghakatsi
youth
with
its
Scout
movement,
but
also
in
providing
succor
and
shelter in times of need.
One
of
its
most
cherished
traditions
is
the
annual
(Armenian)
New
Year's
eve
celebration
when
everyone
who
can
make
it,
wends
his
or
her
way
to
the
club
hall
to
share
a
meal
or
refreshments
and
drinks,
sing
songs,
and
remember
the
old days.
Filled
with
good
cheer,
and
good
wine,
the
revelers
then
snake
along
the
winding
alleys
of
the
Quarter,
led
by
an
accordion-wielding
Pied
Piper,
and
carry
the
party
to
each
other's
home.
Invariably,
the
evening
would
end
at
the
home
of the head of community leader and JABU president Antranig Bakerjian.
His
table
would
always
be
lavishly
laid.
The
genteel
host,
he
would
personally
ensure
his
guests,
who
would
sometimes
number
over
a
hundred,
each had a drink or finger food in hand.
More
songs
and
more
laughter,
the
merriment
would
continue
until
the
wee
hours of the morning.
The
next
day,
it
would
be
the
children's
turn
to
have
a
party,
with
a
heavily
laden Santa Claus to regale them and give them presents.
In
the
afternoon,
JABU
committee
member
Arshalouys
Zakarian
would
lead
a
group
of
ladies
to
the
homes
of
the
less
fortunate
families,
to
bestow
some
good
cheer
upon
them
along
with
such
largesse
as
JABU's
modest
budget
would
allow.
Bakerjian
had
a
deep
love
of
literature,
particularly
poetry
and
drama.
One
of
his
perennial
favorites
was
E.
A.
Poe's
"The
Raven."
He
directed
and
produced
several plays, among them the highly popular "Syv Ho.yr" and "Salome."
JABU
survived
and
thrived
on
the
income
generated
not
by
membership
dues,
which
were
practically
nonexistent,
but
by
the
sale
of
gate
tickets
to
the
much-coveted
balls
held
on
three
or
four
occasions
during
the
year
in
the
club
hall,
as
well
as
the
highly
anticipated
stage
productions.
Lotteries
brought
in
some
more
money.
There
were
also
regular
film
shows:
the
first
movie
ever
screened
by
JABU
was
"The
Greatest
Show
on
Earth,"
(which
starred
Charlton
Heston and James Stewart).
JABU
also
helped
stage
other
shows,
with
magicians
the
most
popular
attraction.
The
club
once
even
managed
to
stretch
a
tight-rope
above
the
audience for a trapeze artist's balancing act.
The
walls
were
decorated
with
Disney
characters,
drawn
by
nascent
artists
like
Kevork
Koukeyan
("Kawarek")
who,
alas,
never
bothered
to
capitalize
on
their talent.
Literary
activities,
like
dramas
and
poetry
recitation,
were
another
major
draw.
"Salome"
and
"Sev
Hogher"
(Black
Earth)
won
hands
down
as
best
productions.
The
Scout
movement
was
a
solidly
established
feature
of
life
for
the
young
kaghakatsi.
It
was
unquestionably
male-dominated.
The
children
were
trained
in
various
kinds
of
Scout
lore
and
craft,
went
camping
at
the
drop
of
a
hat,
and
marched
in
glorious
parades.
One
of
their
most
memorable
exploits
was
a
three-trek to Wad el Quilt and the Dead Sea, carrying full packs.
Although
community
numbers
have
been
shrinking
alarmingly
over
the
past
several
years,
the
JABU
spirit
still
lives
in
Jerusalem,
in
the
US,
in
Australia,
wherever there is a sizeable colony of kaghakatsis.
JABU
was
founded
in
Jerusalem
in
1929,
the
same
year
the
city
saw
the
establishment
of
the
Tarkmanchatz
parish
school
and
the
Gulbenkian
library.
Among
its
original
founders
were
Hagop
Hovsepian
(who
later
changed
his
surname to Hagopian), a "sefer berlik" survivor.
During
the
1948
Arab-Israeli
war,
it
fell
to
the
well-organized
kaghakatsi
leaders
to
take
on
the
duty
and
responsibility
of
guarding
and
defending
the
Armenian
Quarter
and
the
Convent
of
St
James.
With
whatever
weapons
they
could
scrounge,
they
patrolled
the
Armenian
compound,
ministered
to
the
occasional
casualties,
organized
food
distribution,
and
herded
people
to
shelters.
In
the
wake
of
the
1948
Arab-Israeli
war,
the
kaghakatsi
community
leaders
(there
were
nine
of
them)
decided
it
was
time
to
refurbish
the
"Agoump"
whose
roof had received a direct hit during the fighting between the Arabs and Jews.
Hagop
Zakarian,
to
whom
people
rarely
referred
by
name,
preferring
to
call
him
by
his
popular
sobriquet
"sab'
el
leil"
(night
tiger),
picks
up
the
thread
of
the history of JABU.
Zakarian,
one
of
the
pillars
of
the
modern
kaghakatsi
entity,
who
now
lives
in
Miami,
Florida,
was
one
of
those
nine.
The
others
were
Arshalouys
Zakarian,
Antranig
Bakerjian,
Kevork
Kaplanian,
Ghazaros
Pashaian,
Melkon
Babigian,
Krikor Mnatzaganian, Apraham Toumayan and Mourad Mouradian.
The
"transition"
that
took
place
in
1948
was
aimed
at
blending
"the
founders
with
the
new
members
in
order
to
follow
through
what
our
founders
were
doing," Zakarian says.
"During
the
transition
a
new
committee
of
nine
members
was
elected
and
given
the
responsibility
to
remain
identical
to
the
same
work
the
founders
were
doing," he adds.
The
nine
included
merchants,
businessmen
and
public
servants
and
under
their guidance, the JABU club was ushered into a golden age.
However,
the
1967
Six
Day
War
and
relentless
attrition
among
the
kaghakatsi
ranks saw its glory begin to fade.
Echoing
the
feeling
of
all
kaghakatsis,
Zakarian
is
determined
to
see
the
Agoump "grow and remain as strong as it was in the past."
"This
will
make
everyone
of
us
very
proud
of
our
heritage
and
hard
work,"
he
adds.
He
notes
Bakerjian's
visit
to
the
United
States
to
raise
the
funds
required
to
repair
the
damage
to
the
club's
roof
was
highly
successful.
Bakerjian
also
visited
Sydney,
and
returned
home
to
Jerusalem
with
pledges
of
continuing
support from abroad.
After
graduating
from
Jerusalem's
Terra
Santa
school,
Bakerjian
became
a
teacher
English.
In
the
1950s
he
joined
the
the
United
Nations
Relief
and
Works
Agency
(UNRWA)
for
Palestinian
refugees,
rising
through
the
ranks
to
attain
the
status of Area Officer.
During
his
visit
to
the
United
States,
he
was
asked
to
remain
at
the
UN
headquarters
in
New
York
but
he
declined
the
offer
because
he
wanted
to
go
back
and
serve
his
community
and
rebuild
and
strengthen
the
Agoump's
membership.
The
total
cost
of
repairs
at
the
Agoump
stood
at
US$87,000.
Rebuilding
started in 1992.
Ghazaros
Pashayan
was
a
Treasury
Department
employee
with
the
British
Mandate
government
when
he
volunteered
his
financial
expertise
to
JABU.
He
became
a
committee
member
and
oversaw
the
Agoump's
books,
keeping
a
tight
rein on expenditures.
He
was
later
to
emigrate
to
Australia
and
continue
serving
the
community
by
managing the finances of the Sydney branch of JABU.
Krikor
Mnatzaganian
assumed
the
duties
of
store
manager
and
inventory
keeper,
ensuring
that
the
Agoump
never
ran
out
of
necessities.
But
he
was
most
more
for
his
prowess
on
the
dance
floor,
earning
for
himself
the
label
of
"al
raqqas"
(the
dancer).
Rare
was
the
girl
who
could
stand
on
her
feet
after
a
twirl
with him.
Arshalouys
Zakarian
proved
to
be
one
of
the
most
active
members
of
the
JABU
board.
She
was
appointed
specifically
to
speak
for
the
women
of
the
community. She was their voice and their hope.
"Her
commitment
and
hard
work
was
to
get
as
many
women
as
she
could
involved in the Agoump," Hagop Zakarian (no direct relation) says.
She
was
particularly
active
in
JABU's
charity
and
social
welfare
programs
and
nothing
delighted
her
more
than
to
witness
the
delight
of
the
community
children
as
they
opened
their
Christmas
presents,
whose
donation
she
orchestrated.
Kevork
Kaplanian,
who
owned
a
shoemaking
business
in
the
Christian
Quarter,
volunteered
his
time
and
efforts
as
manager
of
the
club's
catering
and
entertainment department.
"Whenever
the
Agoump
help
a
party
or
had
a
celebration,
he
used
to
get
up
very
early
in
the
mornings
and
head
to
the
market
to
purchase
the
necessary
provisions,"
Jack
says.
His
skills
extended
to
the
culinary
art
and
the
mezzas
he
prepared were mouth-watering indeed.
The
Agoump
hall
set
the
stage
for
a
very
active
entertainment
program,
for
children
and
adults
as
well.
Under
Kaplanian's
stewardship,
the
audience
was
regaled
with
magicians,
a
tightrope
walker,
and
movies!
The
first
film
shown
at
the
Agoump
was
"The
Greatest
Show
on
Earth,"
starring
Charlton
Heston
and
James Stewart.
Melkon
Babigian
was
another
successful
businessman,
a
goldsmith
and
jeweller
by
trade,
who
lived
in
the
nearby
Greek
convent
of
St
George.
A
genial,
imposing
figure,
he
found
time
to
cater
to
the
needs
of
the
community
as a JABU board member.
Apraham
Toumayan
worked
in
the
payroll
department
of
the
United
Nations
Relief
and
Works
Agency
(UNRWA),
and
assisted
the
club's
treasurer,
Ghazaros
Pashayan,
in
managing
the
JABU
treasury
and
finance
department.
A
bachelor
all his life, he became very active in Agoump affairs.
The
greatest
joy
in
his
life
was
the
traditional
role
he
played
as
the
guardian
and
transmitter
of
the
miraculous
Holy
Fire
on
"sabt
el
nour",
the
Saturday
of
Easter.
He
would
be
perched
at
the
mouth
of
one
of
the
several
small
apertures
in
the
edicule
containing
the
tomb
of
Jesus,
in
the
rotunda
of
the
Holy
Sepulcher,
waiting
for
the
light
that
would
descend
miraculously
on
the
tomb,
signifying the resurrection of Christ.
The real treasures
Not
all
treasures
of
the
Armenian
Patriarchate
of
Jerusalem
are
housed
here.
These
include
illustrated
manuscripts
by
two
of
our
greatest
artists,
Toros
Roslin
and
Sarkis
Pitzak.
Among
the
other
treasures
are
the
golden
“aacher,”
moulds
of
the
forearms
of
Armenian
saints.
Most
of
these
treasures
rarely
see
the
light
of
day,
others
are
placed
on
display
during
special
religious
ceremonies.
The
different
keys
to
the
main
treasure
house
are
held
by
different
three
priests,
members
of
the
Brotherhood
of
Saint
James.
They
must
turn
the
keys
together
to
open
the
vault
door,
and
only
after
authorization
by the Brotherhood.
Church of the Holy Archangels
This project has been supported by the Gulbenkian philanthropic Foundation, the Armenian Patriarchate of Jerusalem, and members
of the worldwide Armenian community. Reproductions of the genealogical documents [domar’s] are courtesy Photo Garo, Jerusalem.
© Copyright 2007 Arthur Hagopia
This project has been supported by the Gulbenkian philanthropic Foundation, the Armenian Patriarchate of Jerusalem, and members
of the worldwide Armenian community. Reproductions of the genealogical documents [domar’s] are courtesy Photo Garo, Jerusalem.
© Copyright 2007 Arthur Hagopian