Ancestors of the Minassian clan
The Armenians of Jerusalem form four distinctive groups, each
as vibrant as the rest, yet all united by their common heritage
and their incontestable belief in a shared heritage.
The language, too, is always the same.
That
is
not
to
deny
the
nascent
undercurrent
of
healthy
rivalry
that
each
harbors.
The
two
major
groupings
are
the
native
"kaghakatsis"
who
live
mainly
in
the
Armenian
Quarter
of
the
Old
City,
and
whose
ancestors
first
settled
in
the
region
2,000
years
ago,
and
the
"Vanketsis"
who
live
within
the
precinct
of
the
Convent
of
St
James
where
they
had
found
refuge
from
the
Turkish
genocides
and pogroms.
On
the
cultural
level,
the
Kaghakatsis
congregate
around
their
Jerusalem
Armenian
Benevolent
Union,
the
JABU,
while
the
Vanketsis
have
split
their
activities
into
two
avenues
of
expression,
each
driven
by
a
varying
ideology.
The
"Homentmen"
(allied
with
the
Tashnag
political
party)
pined
for
an
independent
Armenia,
free
of
Soviet
influence
and
intervention,
while
the
"Hoyetchmen"
had
been
comfortable
with
the
status
quo
in
Armenia
(prior
to
Gorbachev's
coup).
Another
minor
splinter
group,
the
"Ramgavar,"
was
more
or
less tenuously sympathetic to the Soviet line.
There
are
two
other
groupings,
the
Catholic
and
Protestant
Armenians,
mostly
converts.
The
Catholics
have
set
up
their
own
private
youth
club,
"Arax"
(after a popular river in Armenia).
In
recent
years,
the
lines
of
demarcation
among
the
groupings
has
begun
to
dissolve,
in
the
face
of
modern
challenges.
Rivalries
have
melted
away
and
closer
relationships
established:
the
younger
generation
has
no
patience
with
stultified
stances,
and
with
the
inception
of
social
networking,
they
are
more
attuned to a more global outlook.
The
youth
clubs
have
their
own
scout
groups
and
cultural
programs.
Among
these,
thespian
aspirations
rank
high.
Among
their
more
ambitious
efforts,
have
been
the
staging
of
classics
like
"Salome"
and
Bedros
Tourian's
"Sev
Hogher"
(Black
Earth),
but
comedy
sketches
and
one-man
stands
have
been
the
main fare on the dramatic menu.
World
famous
musician
Ohan
Dourian
has
often
regaled
audiences
with
his
piano renditions, while Tavit Tavitian offered audiences his version of Czardas.
Over
the
centuries,
the
kaghakatsi
have
enriched
the
Holy
City's
multifaceted
ethnic
and
social
fabric
with
a
proliferation
of
talent,
vision
and
hard
work,
creating
a
unique
culture
and
identity,
unlike
any
other
in
the
Armenian
diaspora. This
tiny
enclave
whose
members
have
been
making
their
home
in
the
cobblestoned
alleys
of
the
Old
City
for
centuries
for
over
2,000
years,
have
given
the
city
its
first
printing
press
and
photographic
studio,
and
titillated
the
palates
of
aficionados
with
spicy
blends
of
their
irresistible
cuisine.
The
kaghakatsi
ancestors
were
great
teachers,
artists,
goldsmiths,
carpenters,
story-tellers
and
family
men,
but
they
were
poor
record
keepers.
Except
for
a
register
of
births,
deaths
and
certificates
maintained
by
the
Armenian
Patriarchate
of
St
James
in
Jerusalem,
and
some
family
heirlooms,
we
possess
no
archives
or
documents
detailing
their
way
of
life,
other
than
word-of-mouth accounts.
True,
little
has
changed
in
the
Old
City
over
the
centuries,
but
memories
also
dim,
and
the
next
generation
of
kaghakatsis
may
wonder
where
on
earth
they came from: who were the kaghakatsis, what made them run?
A
"Family
Tree
Project"
launched
a
few
years
ago,
now
part
of
the
expanded
endeavour
that
will
encompass
all
Armenians
of
Jerusalem,
seeks
to
answer
these
questions,
its
mandate
preserving
the
history,
culture
and
traditions
of
the kaghakatsis who at their peak numbered over 25,000.
As
part
of
the
project,
efforts
are
being
made
to
trace
the
family
connections
of
this
unique
entity
whose
members
are
all
related
to
one
another,
in
one
long
unbroken
chain.
The
project
will
ensure
that
their
unique
place in the history of the immortal city of Jerusalem, is not irretrievably lost.
The
Family
Tree
is
accessible
only
to
bona
fide
kaghakatsis
with
the
help
of
a private key available here.
The
Family
Tree
Project
has
so
far
collated
genealogical
details
of
over
3000
kaghakatsi
Armenians
from
among
the
members
of
the
score
of
leading
“clans,”
relying
mostly
on
personal
reminiscences
and
recollections.
But
the
years may have shrouded some of these in obscurity.
While
the
project
pays
tribute
to
the
memory
of
those
who
have
gone
before
us,
it
hopes
to
bequeath
to
future
generations
of
kaghakatsis
a
deeper
sense
of
belonging
to
a
uniquely
cohesive
society
that
knows
well
the
meaning
of sharing and caring.
For
wherever
there
is
a
kaghakatsi
in
any
part
of
this
world,
there
is
a
Jerusalem and an Armenia.
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