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st james
The background
Armenians
have
been
living
in
Jerusalem
for
over
2.000
years,
even
before
Armenia
proclaimed
Christianity
as
its
state
religion
in
3O1
AD,
whenpilgrims
began
trekking
to
the
Holy
Land
on
a
spiritual
journey
that
would
rejuvenate
their
faith
and
reinforce
their
commitment
to
the
new
religion of peace and love, preached by Jesus of Nazareth.
The
Armenians
of
Jerusalem
are
the
direct
descendants
of
those
pious
pilgrims
who
braved
all
sorts
of
dangers,
endured
all
kinds
of
hardships,
in their determination to walk in the footsteps of the Christ.
A
large
number
of
the
Armenian
pilgrims
chose
to
remain
here.
Jerusalem
had
become
their
new
home.
They
built
houses,
churches
arid
convents,
some
no
longer
standing,
like
the
one
at
the
Musrara
Quarter,
a
stone's
throw
from
the
15th
Century
walls
of
the
Old
City,
where
in
1991
archaeologists
uncovered
an
incomparable
mosaic,
laid
down by an unknown Armenian priest, Eustacius, in the 7th Century.
The Convent
The
Armenian
Convent
of
St
James
became,
in
time,
the
largest
single
compound
that
housed
Armenian
pilgrims,
and
represented
the
demographic and spiritual core of the newly-established colony.
As
you
tread
the
cobble
stoned
alleys
of
the
Convent,
you
are
taken
back
more
than
a
thousand
years
into
the
distant,
idyllic
past
of
our
forefathers
who
laid
down
the
foundation
stone
of
our
present
existence, for all generations to come.
The
Convent
itself
occupies
the
southwestern
corner
of
the
Old
City
and
is
situated
on
the
site
of
the
encampment
of
the
Xth
Legion
of
Rome
which was to storm the Jewish Zealot stronghold at Masada.
Together
with
its
adjoining
outcrop,
the
Armenian
Quarter,
which
skirts
the
northern
edge
of
the
Convent,
the
Armenian
compound
is
home
for
about
2,000
to
3,000
Armenians.
Another
2,000
are
scattered
in
various
parts
of
the
Holy
Land,
mainly
in
Bethlehem,
Haifa,
Haifa,
Ramleh
and
Ramallah,
where
visible
Armenian
communities
have
evolved
around
the
periphery
of
their
ubiquitous
nucleus,
a
church
or
convent.
The Armenians of Jerusalem
At
its
peak,
the
Armenian
presence
in
Jerusalem,
where
they
have
been
most
densely
concentrated,
num-bered
25,000.
But
the
havocs
caused
by
the
discom-bobulations
of
half
a
century
of
bloodshed
and
the
perennial
political
and
economic
instability
in
the
region,
have
decimated
the
colony.
Most
of
its
former
members
are
now
ensconced
in
the
more
placid,
greener
pastures
of
the
free
world:
the
USA,
Canada,
Australia,
and
parts
of
Europe.
You
can
even
come
across
former
Jerusalemites in such far-flung places as Calcutta or Johannesburg.
Nevertheless,
Armenians
have
continued
to
be
a
dynamic
presence
in
Jerusalem.
The
numerical
factor
is
irrelevant.
Armenians
are
in
a
unique
situation
in
Jerusalem.
Their
Patriarchate
enjoys
a
semi-diplomatic
status.
It
is
one
of
the
three
major
guardians
of
the
Christian
Holy
Places
in
the
Holy
Land.
(The
other
two
are
the
Greek
Orthodox
Patriarchate
and
the
Franciscan
Custodia).
Among
these
sites
are
the
Church
of
the
Holy
Sepulcher
in
the
Old
City,
the
church
of
the
Ascension
on
the
Mount
of
Olives,
the
Tomb
of
St
Mary
in
the
Valley
of
Gethsemane, and the Church of the Nativity in Bethlehem.
The Entrance
When
you
first
enter
through
the
huge
iron
gate
of
the
Convent,
you
come
face
to
face
with
an
ancient
marble
water
fountain,
which
was
placed
there
centuries
ago
to
provide
a
cool,
refreshing
drink
for
pilgrims,
in
compliance
with
an
ancient
Middle
Eastern
custom.
The
introduction
of
running
water
to
the
homes
of
Jerusalem
residents
sometime during the British Mandate, made the fountain redundant.
Behind
and
above
the
fountain,
a
marble
plaque
embedded
in
the
wall
and
engraved
in
flowing
Arabic
script,
proclaims
the
privileged
status
of
the
Armenian
Patriarchate,
and
calls
down
horrendous
curses
on
the
heads
of
those
who
would
violate
these
privileges,
granted
by
the
Mameluke Sultan Chaqmaq.
The Cathedral of St James
A
few
paces
away,
to
your
left,
is
another
ancient
iron
gate
that
leads
to
the
vestibule
of
the
Cathedral
of
St
James,
the
jewel
of
the
Armenian
Patriarchate.
A
magnificent
edifice
that
ranks
as
one
of
the
most
awe-
inspiring
in
all
of
the
Middle
East,
the
Cathedral
is
bedecked
with
centuries-old
"gantegh"s
(oil
lamps),
dangling
from
the
soaring
vault,
and
tallow
candies
dotting
the
three
altars.
The
oil
lamps
are
still
in
use
today,
lovingly
tended
by
altar
boys
who
replenish
them
with
pure
olive
oil
at
regular
intervals.
The
candles,
made
by
the
Patriarchate's
own
candle-maker,
try
vainly
to
dispel
the
elemental
darkness
that
pervades
the
church
and
that
impart
mystical
significance
to
Armenian
church
rites.
The
Cathedral,
which
has
been
built
on
the
site
of
the
tombs
St
James
the
Lord's
brother
and
St
James
the
Lesser,
has
in
the
past
also
served
as
a
bomb
shelter.
During
the
1948
Arab-Israeli
war,
the
only
sanctuary
from
the
daily
bombardment
of
the
city
that
Armenians
could
find
was
within
the
solid,
reassuring
confines
of
their
Cathedral,
with
its
one-meter
thick
walls.
During
one
particularly
memorable
night,
over
1,000
shells
of
all
kinds,
including
the
dreaded
mortar,
landed
on
and
around
the
Cathedral
-
but
no
single
casualty
did
they
claim.
Many
believers
would
later
swear
that
they
had
seen
a
mysterious
figure,
dressed
in
white,
standing
vigil
on
the
roof
of
the
Cathedral,
and
with
his
hands
warding
off
the
shower
of
missiles.
It
was
none
other
than
St
James, believers assert.
Tombs of the Patriarchs
At
the
entrance
to
the
Cathedral,
a
large
plaque
marks
the
site
of
the
grave
of
Jerusalem's
94th
Armenian
Patriarch,
the
late
Archbishop
Guregh
Israelian.
One
of
the
city's
most
popular
and
charismatic
men
of
the
cloth,
Israelian
died
in
1949
of
a
broken
heart,
after
witnessing
the
intolerable
sufferings
of
his
war-ravaged
flock,
caught
in
the
crossfire
between
the
Arab
and
Jewish
armies.
More
than
once,
he
would
cradle
in
his
own
arms
the
shrapnel-shredded
body
of
an
Armenian
who
had
been the latest casualty in the unrelenting war.
Another
lonely,
unpretentious
grave
sits
forlornly
under
an
archway
a
few
paces
away,
at
the
other
end
of
the
vestibule.
This
one
is
the
last
resting
place
of
Jerusalem's
first
Armenian
Patriarch,
Abraham,
a
contemporary of Saladin.
No Entry
As
you
come
out
of
the
Cathedral,
you
will
notice
a
flight
of
steep
steps
to
your
left.
These
lead
to
the
private
residence
of
the
Patriarch
and
to
the
Patriarchate's
administrative
offices.
Normally,
entry
beyond
this
point
is
barred
to
people
who
have
no
official
business
there.
Just
across,
on
the
right
hand
side,
is
another
flight
of
steps
leading
to
the
private
residences
of
the
priests
and
convent's
lay
population.
Unless
accompanied
by
a
local
resident,
officially
invited
by
the
Patriarchate,
visitors are requested not to proceed beyond that point,
The Printing Press
When
you
emerge
from
the
vestibule,
turn
left
and
follow
the
passage-way
until
until
you
reach
the
Convent's
large
courtyard.
To
your
immediate
right,
you
will
see
the
medical
clinic
established
by
the
Jinishian
Memorial
Fund
to
cater
to
the
needs
of
the
Armenian
community.
The
center
is
staffed
by
a
doctor
and
a
nurse.
Medications
are dispensed either free or at a fraction of their cost.
A
few
paces
away
is
the
Patriarchate's
bookshop
where
visitors
can
find
some
rare
Armenian
publications
going
for
a
song.
The
Armenians
of
Jerusalem
were
the
first
to
establish
a
printing
press
in
the
city,
and
a
copy
of
the
first
book
printed
here,
in
1833,
is
available
for
inspection.
The
Armenian
Patriarch,
Yessai
Garabedian,
opened
the
city's
first
photographic
studio
in
1866
and
became
its
first
official
photographer,
bequeathing
a
rich
and
exciting
legacy
to
the
Armenians
of
Jerusalem,
which they nurture to this day.
The
original
printing
press
building,
complete
with
a
huge
manual
printing
machine
and
trays
of
lead
type,
is
still
there.
Part
of
the
building
has
been
converted
into
an
exhibit
of
rare
Armenian
books,
including
the
first
book
(an
almanac)
ever
printed
in
Armenian
(in
Venice,
in
1512),
and
the
first
printed
Armenian
bible
(the
work
was
done in Amsterdam, in 1666).
Until
recently
type
was
still
sometimes
being
set
by
hand
at
the
old
printing
press,
but
the
practice
has
now
given
way
to
innovation.
The
Patriarchate
now
boasts
a
new
state-of-the-art
facility,
located
just
outside
Convent,
which
is
equipped
to
handle
a
heavier
and
more
fastidious
work
load,
including
color
printing.
This
new
institution
was
the
first
within
the
Armenian
compound
to
introduce
the
concept
computerization
on
a
dedicated
scale,
setting
the
scene
for
an
eventual
local
area
network
(LAN)
designed
to
link
all
the
Patriarchate's
institutions in one IBM-inspired environment.
Youth clubs
Adjacent
to
the
old
printing
press,
the
Armenian
Youth
Union,
"Hoyetchmen",
one
of
three
major
Armenian
organizations
in
the
city,
which
are
active
in
the
cultural,
sports
and
educational
fields,
has
carved
out
a
niche
for
itself,
converting
an
abandoned
warehouse
into
a
club and a stage-hall.
The
second
youth
club,
the
"Homentmen,"
lies
about
a
hundred
yards
away,
in
an
enclave
that
abuts
the
official
residence
of
the
Patriarchate's
Grand
Sacristan
who
is
entrusted
with
the
safe
keeping
of
the
Armenian
treasures
and
Holy
Places
of
Jerusalem.
The
club
was
recently renovated and expanded.
The
third
club
is
the
Jerusalem
Armenian
Benevolent
Union
in
the
Armenian
Quarter,
outside
the
Convent
walls.
Its
members
boast
an
illustrious
lineage
of
Armenian
pilgrims
who
settled
in
the
city
over
a
thousand
years
ago.
With
their
own
hands
they
laid
down
the
foundations
of
what
would
later
become
one
of
the
Old
City's
most
picturesque quarters, inhabited exclusively by their descendants.
Quarter of flowers
At
the
end
of
the
large
courtyard,
a
wide
but
low-ceilinged
arched
entrance
leads
you
to
"Paghchatagh",
(the
Quarter
of
Flowers)
which
had
originally
been
intended
as
the
residential
quarters
of
the
Armenian
priests,
but
was
evacuated
and
converted
to
accommodation
for
the
thousands
of
Armenian
refugees
fleeing
Turkish
persecution
at
the
turn
of
the
19th
Century.
The
refugees
dramatically
swelled
the
ranks
of
the
native
Armenian
population
but
the
steady,
relentless
attrition
that
is
the
bane
of
the
Christian
community
of
the
Holy
Land,
has
sharply
reduced the numbers of Armenians and other Christians here.
Soon
after
his
ascent
to
the
throne
of
St
James,
Patriarch
Torkom
Manoogian
set
about
renovating
Paghchatagh,
helping
revert
it
to
its
original
designation.
The
grandiose
scheme
was
funded
mainly
by
contributions from Armenians around the world.
Library
When
you
step
out
of
Paghchatagh,
you
come
to
another
courtyard.
To
your
right,
you
will
find
the
Gulbenkian
Library,
one
of
Jerusalem's
most
important
landmarks.
Named
after
the
great
Armenian
benefactor,
Calouste
Gulbenkian,
who
was
also
known
in
oil
and
financial
circles
as
"Mr
Five
Percent,"
the
building
houses
some
100,000
volumes,
half
in
Armenian
and
the
rest
in
several
other
languages,
including
ancient
Egyptian
hieroglyphics.
The
library
subscribes
to
almost
every
single
Armenian-owned
publication
in
the
world,
making
it
an
invaluable
repository
of
Armenian
culture
and
literature.
Almost
every
single
Armenian-owned
newspaper
and
magazine
published
anywhere
in
the
world is represented here.
Museum
Next
to
the
library
stands
a
relatively
recent
innovation:
the
Edward
and
Helen
Mardigian
Museum
of
Armenian
Art
and
Culture.
The
museum
is
actually
situated
in
the
former
"Chamtagh,"
which
once
served
as
the
Patriarchate's
theological
seminary.
Like
its
twin,
Paghchatagh,
this
building
too
had
to
be
converted
into
residential
quarters
for
displaced
Armenian
refugees.
After
all
the
refugees
had
emigrated
and
found
new
homes
in
America,
Canada
and
a
host
of
other
countries,
Chamtagh
fell
into
disrepair.
Half
a
dozen
years
ago,
the
Armenian
philanthropist
couple,
Edward
and
Helen
Mardigian,
came
to
its
rescue.
Thanks
to
their
generosity,
Chamtagh
was
soon
transformed
into
a
museum
and
has
become
one
of
the
Armenian
Diaspora's
most
important
and
valuable
cultural outposts.
Following
its
inauguration,
the
building
has
undergone
extensive
refurbishing
at
the
hands
of
an
expert
seconded
to
the
Patriarchate
by
UNESCO
(the
United
Nations
Educational,
Scientific
and
Cultural
Organization).
The
building
houses
incomparable
historical
and
religious
artifacts
some
of
which
were
brought
to
Jerusalem
by
a
regular
stream
of
pilgrims.
Included
among
the
museum's
unique
displays
are
precious
hand-woven
rugs,
a
collection
of
Armenian
coins
and
even
some
banknotes
issued
by
the
short-lived
pre-Bolshevik
Armenian
Republic,
scraps
of
evidence
of
the
presence
here
of
the
Xth
Legion,
huge
copper
cauldrons,
colorful
tiles
from
the
world-famous
Kutayha
district,
an
ancient
map
of
the
world
printed
in
Armenian,
and
a
replica
of
Gutenberg's original printing press.
Manuscripts
But
the
Patriarchate's
most
precious
treasures,
its
4,000
illustrated
manuscripts,
are
not
among
the
items
on
exhibit
at
the
museum.
However,
visitors
can
view
facsimile
pages,
in
full
color,
of
some
of
the
most
beautiful
manuscripts,
which
have
been
moved
to
a
safer
location,
at
the
church
of
St
Thoros,
close
to
the
Cathedral
of
St
James,
where
for
nearly
all
his
adult
life,
the
late
Archbishop
Norayr
Bogharian
lavished
special
care
and
attention
on
them.
His
most
enduring
achievement
has
been
the
compilation
of
eleven
grand
catalogs
listing
every
one
of
the
manuscripts,
with
occasional
excerpts
culled
from
them,
and
a
full
physical
description,
as
well
as
a
brief
summary
of
the
contents
of
each.
The
manuscripts
are
inaccessible
to
the
general
public.
However,
bona
fide
researchers
who
meet
the
stringent
scholarly
demands
of
the
Archbishop,
may
be
allowed
to
study
the
manuscripts,
on the premises.
High School
Walk
out
of
the
museum,
and
turn
right,
you
will
find
yourself
in
the
playground
of
the
"Tarkmanchatz",
one
of
Jerusalem's
leading
co-
educational
private
schools.
It
was
the
celebrated
thinker
and
writer,
Patriarch
Yeghishe
Tourian,
who
was
instrumental
in
giving
the
city's
Armenian
community
its
first
formal
educational
institution,
back
in
1929.
The
school
is
named
after
Sts
Sahag
Mesrob-Maschtotz,
the
two
Holy
Translators
who
personally
single-handedly
crafted
the
Armenian
alphabet.
The
curriculum
of
the
Tarkmanchatz,
the
first
one
among
the
city's
dozen
private
schools
to
introduce
the
teaching
of
Hebrew
in
class
(it
also
teaches
English,
French
and
Arabic
in
addition
to
Armenian),
is
oriented
towards
both
the
London
University
inspired
General
Certificate
of
Education
(GCE)
examination
and
the
Jordanian
government sponsored school leaving certificate, the year 12 Tawjihi.
Almost
every
single
Armenian
who
lived
in
Jerusalem
would
have
attended Tarkmanchatz.
Bonfire
On
your
right-hand
side
sprawls
a
modest-sized
multi-purpose
foot-
ball
field.
One
of
the
Jerusalemite
Armenians'
most
cherished
traditions
had
been
the
festival
of
the
annual
bonfire,
which
was
lit
in
the
centre
of the field, on the feast of St Simeon the Elder.
Men
and
women,
of
all
ages
and
professions,
make
the
rounds
of
their
neighbors
to
collect
firewood
for
the
bonfire.
Tree
branches,
broken
furniture,
a
dilapidated
termite-infested
door,
discolored
signposts,
an
odd
toilet-bowl
cover,
anything
that
will
feed
the
voracious
flames,
is
dumped
into
the
field,
whose
boundaries
reach
to
within
a
few
feet
of
one
of
the
city's
seven
portals,
Zion
Gate.
Celebrants
gather
around
the
fire,
singing
songs
to
the
accompaniment
of
an
accordion.
Some
of
the
more daring or foolhardy will leap across the flames.
The
practice
has
since
been
discarded,
to
the
dismay
of
all,
in
the
wake of the prevailing political situation.
The Church of the Archangels
To
the
left
of
the
Tarkmanchatz
school,
going
down
a
flight
of
steps,
the
visitor
will
arrive
at
the
Church
of
the
Holy
Archangels,
the
traditional
site
of
the
house
of
Annas.
This
is
the
second
major
Armenian
church
in
Jerusalem,
but
is
built
on
a
less
grandiose
scale
than
the
Cathedral
of
St
James.
Located
at
the
northern
edge
of
the
Armenian
compound,
it
is
commonly
associated
with
weddings,
christenings
and
funeral ceremonies.
During
the
recent
restoration
of
the
church,
workers
came
across
ancient
Armenian
inscriptions
buried
behind
layers
of
plaster.
Some
of
the
inscriptions
have
been
dated
as
far
back
as
the
13th
Century.
An
old
baptismal font was also uncovered behind one of the walls.
The
vault
of
the
church
is
supported
on
four
fat
columns.
Stripped
of
their
plaster,
the
columns
revealed
row
upon
row
of
distinctive
Armenian
stone-crosses
(Khachkars)
engraved
in
the
masonry
by
Armenian
pilgrims.
The
church
boasts
another
unique
distinction:
it
has
no
less
than
seven
altars,
one
of
them
marking
the
site
of
the
prison
where
Christ
was
held.
But
the
most
striking
feature
of
the
church
is
the
decorative
array
of
Kutayha
tiles
lining
the
walls.
Most
of
the
tiles
are
painted
in
blue
and
carry
traditional
Armenian
floral
motifs.
But
a
very
small
number
bear
full-color
illustrations
of
Biblical
scenes.
Experts
consider
these
tiles,
and
the
ones
found
on
the
walls
of
the
Cathedral
of
St James, masterpieces of Armenian ceramic art.
Once
you
leave
the
Church
of
the
Archangels,
you
can
turn
right
and
march
straight
into
the
Armenian
Quarter
of
the
Old
City,
which
lies
outside
the
walled
perimeter
of
the
Convent,
or
walk
back
along
the
path
you
came.
When
you
retrace
your
steps
and
reach
the
Edward
and
Helen
Mardigian
Museum,
you
will
come
to
a
passageway
that
will
lead
you
out
of
the
Convent,
to
the
main
road
leading
from
Jaffa
Gate
to
Zion Gate and the Western Wall.
If
you
turn
right
here,
and
walk
a
hundred
yards,
you
come
full
circle
to
the
huge
iron
gate
at
the
entrance
of
the
Convent
of
St
James.
To
your
left
is
the
complex
of
the
Theological
Seminary
of
the
Patriarchate,
a
gift
of
the
American
Armenian
philanthropists
Alex
and
Mary
Manougian.
Here,
Armenian
youths
from
all
over
the
world,
including
the
USA
and
Armenia,
come
to
study
for
the
priesthood.
When
ordained,
after
several
years
of
intensive
study,
they
will
be
posted
to
various
churches
in
the
Holy
Land
or
overseas,
and
help
infuse
new
blood
among
the ranks of Armenian clergy.
Copyright © 2007 Arthur Hagopian
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